China Wholesale Oil Painting Reproductions No Minimum!

All Andrea del Sarto Oil Paintings


 
 
Andrea del Sarto Donor oil painting reproduction


Donor
mk228 oil on canvas
new19/Andrea del Sarto-694345.jpgPainting ID::  53304
 

 

 
   
      

All Andrea del Sarto Oil Paintings


 
 
Andrea del Sarto Donor oil painting reproduction


Donor
mk228 oil on canvas
new19/Andrea del Sarto-357986.jpgPainting ID::  53303
 

 

 
   
      

All Hans Memling Oil Paintings


 
 
Hans Memling Donor oil painting reproduction


Donor
1490(1490) Medium oil on oak panel Dimensions Height: 44.7 cm (17.6 in). Width: 32.4 cm (12.8 in). cyf
new25/Hans Memling-393463.jpgPainting ID::  92018
 

 

 
   
      

All Hans Memling Oil Paintings


 
 
Hans Memling Donor oil painting reproduction


Donor
1490(1490) Medium oil on oak panel Dimensions Height: 44.5 cm (17.5 in). Width: 32 cm (12.6 in). cyf
new25/Hans Memling-487386.jpgPainting ID::  92019
 

 

 
   
      

Hans Memling
  
Netherlandish Northern Renaissance Painter, ca.1435-1494 Born in Seligenstadt, near Frankfurt in the Middle Rhein region, it is believed that Memling served his apprenticeship at Mainz or Cologne, and later worked in the Netherlands under Rogier van der Weyden (c. 1455?C1460). He then went to Bruges around 1465. There is an apocryphical story that he was a wounded at the Battle of Nancy, sheltered and cured by the Hospitallers at Bruges, and that to show his gratitude he refused payment for a picture he had painted for them. Memling did indeed paint for the Hospitallers, but he painted several pictures for them, in 1479 and 1480, and it is likely that he was known to his patrons of St John, prior to the Battle of Nancy. Memling is connected with military operations only in a distant sense. His name appears on a list of subscribers to the loan which was raised by Maximilian I of Austria, to defend against hostilities towards France in 1480. In 1477, when he was incorrectly claimed to have been killed, he was under contract to create an altarpiece for the gild-chapel of the booksellers of Bruges. This altarpiece, under the name of the Seven Griefs of Mary, is now in the Gallery of Turin. It is one of the fine creations of his more mature period. It is not inferior in any way to those of 1479 in the hospital of St. John, which for their part are hardly less interesting as illustrative of the master's power than The Last Judgment which can be found since the 1470s in the St. Mary's Church, Gda??sk. Critical opinion has been unanimous in assigning this altarpiece to Memling. This affirms that Memling was a resident and a skilled artist at Bruges in 1473; for the Last Judgment was undoubtedly painted and sold to a merchant at Bruges, who shipped it there on board of a vessel bound to the Mediterranean, which was captured by Danzig privateer Paul Beneke in that very year. This purchase of his pictures by an agent of the Medici demonstrates that he had a considerable reputation.
Donor
1490(1490) Medium oil on oak panel Dimensions Height: 44.5 cm (17.5 in). Width: 32 cm (12.6 in). cyf

Related Paintings to Hans Memling :.
| Roore, Jacques Ignatius de -- De afgoderij van Jeroboam, 1704-1744 | Manuel Barron y Carrillo Folk Festival near Seville | Unknown Artist -- De Emmausgangers, 1620 - 1680 | Maella, Mariano Salvador-Vision de San Sebastian de Aparicio-172 cm x 123 cm | Nicolas de Largilliere -- Study of Hands | | Across the pasture | Selbstportrat mit schwarzem Hut und Stock | Agar et l ange | Woman Undressing | Tolstoy |


        

 

 

 

CONTACT US
Contact us!